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ENGL 387: Victorian Popular FictionCourse Convenor: Dr Sally BushellSeminar Time and Venue: Wednesday 10am – 12pm, Bowland North SR21 (Term 1) The module will be centred upon three new genres which emerge in the mid-late Victorian period: Detective Fiction; The Adventure Story; Children’s Fiction. We will spend three weeks on each focussing on key texts and writers within the emerging genre and looking at how certain conventions, principles and core concerns develop for new genres as well as considering issues of literary status and canonicity. The course will be centred upon one key text each week but we will be making connections across and between texts. Within each session we will explore texts in terms of overlapping themes within a genre and the issues they raise for how we interpret the subject (Colonialism/ Imperialism/ Gender/Education) as well as thinking about issues of narrative structure and voice and the involvement of the reader. At the start of each three week period there will be a short introductory lecture establishing themes/ideas and generic issues for the form. The module will also encourage students to consider the differences made by different forms of representation (e.g. serialisation for adventure stories; illustrations alongside the story for Holmes; initial dramatic representation of Peter Pan). Week By Week Programme DETECTIVE FICTION Week 2 Wilkie Collins: The Moonstone Week 3 Arthur Conan-Doyle:Holmes’ Short Stories and The Hound of the Baskervilles ADVENTURE Week 5 Henry Rider Haggard: King Solomon’s Mines Week 6 INDEPENDENT STUDY WEEK: SHARED RESOURCE ACTIVITY Week 7 Rudyard Kipling: Kim CHILDREN’S FICTION Week 9 J. M. Barrie: Peter Pan Week 10 E. E. Nesbit, Five Children and It and The Wouldbegoods [excerpts provided]
On successful completion of the module, students will be able to demonstrate:
Set Texts: You need to purchase all the texts listed on the week by week schedule (except for Week 1). There is quite a lot of reading here so I strongly recommend reading as many as possible of the longer books in advance. Wherever possible buy either the Oxford World’s Classics or Penguin Version of the text so that we are all working from the same edition in class (otherwise it becomes difficult to cross-reference). AVOID Wordsworth editions for the most part. Conan Doyle, The Original Illustrated Strand Sherlock Holmes: Facsimile Edition (paperback) is worth getting. Cheap but gives ALL works and original illustrations. Includes Hound of The Baskervilles, though you can also buy this in World Classics/Penguin editions. Back to: ENGL 385
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