BENNETT, B. (2008) 'Cinematic perspectives on the "war on terror": The Road to Guantanamo and activist cinema', New Cinemas, vol. 6, no. 2, pp. 111-126
Journal articles (co-authored)
BENNETT, B., DIKEN, B, (2011) 'The Hurt Locker: cinematic addiction, 'critique', and the war on terror', Cultural Politics, vol. 7, no. 2, July 2011, pp. 165-188
BENNETT, B. (2012 - forthcoming), 'X-Ray Visions: photography, propaganda and Guantanamo Bay', in ATTWOOD, F., CAMPBELL, V., HUNTER, I., LOCKYER, S., eds., Controversial Images, London and New York: Palgrave Macmillan
BENNETT, B. (2012), 'Lu Chuan', in Bettinson, G, ed.,Directory of World Cinema: China,Intellect (ISBN: 9781841505589)
BENNETT, B. (2008) 'Children and robots, technophobia and cinephilia' in BENNETT, B., FURSTENAU, M., MACKENZIE, A., eds. Cinema and Technology: Cultures, Theories, Practices, London and New York: Palgrave Macmillan (ISBN 978-0230524774), pp. 168-182
BENNETT, B. (2007) 'Very Un-British Films: Michael Winterbottom and the Cinema of Incompatibility' in LIU, Y, ed., Rereading Britain Today: Essays in British Literary and Cultural Studies, Shanghai: Shanghai Foreign Language University Press, pp. 285-299 (ISBN 978-7-5446-0417-8)
BENNETT, B. (2007) 'Towards a General Economics of Cinema', in BRUCE, S. and WAGNER, V. eds.,Fiction and Economy, London and New York: Palgrave Macmillan, pp. 167-186 (ISBN 978-0-230-00524-2)
BENNETT, B. (forthcoming) Review of Katarzyna Marciniak, Alienhood: Citizenship, Exile and the Logic of Difference, Minneapolis: University of Minnesota Press, in Feminist Theory
BENNETT, B. (2007) Review of Vivian Sobchack, Carnal Thoughts: Embodiment and MovingImage Culture, Berkeley: University of California Press, 2004 in Feminist Review, Vol. 85, No. 1, 136-8, March, 2007 (ISSN: 0141-7789)
BENNETT, B. (2004) Review of Mary Anne Doane, The Emergence of Cinematic Time:Modernity, Contingency, The Archive, Cambridge, MA. And London: Harvard University Press, 2002, Screen, Vol. 45, No. 4, Winter 2004, pp. 461-466 (ISSN 0036-9546)
BENNETT, B. (2003) 'High Theory: A report on the Figuring Addictions/Rethinking Consumption conference, 4-5 April, 2002, Institute for Cultural Research, Lancaster University', Scope: An Online Journal of Film Studies, Feb. 2003(ISSN 1465-9166) (http://www.nottingham.ac.uk/film/journal/conrep/conferences-feb-03.htm)
BENNETT, B. (2000) 'Misrecognizing Film Studies': Review of Bordwell, David and Noel Carroll, Post-Theory: Reconstructing Film Studies', Film-Philosophy, Vol. 4, No. 5, Feb. 2000 (ISSN 1466-4615) (http://www.film-philosophy.com/vol4-2000/n5bennett)
BENNETT, B., TYLER, I. (1999) 'Report on 1998 Screen Studies Conference', Screen, Vol. 40, No. 1, 1999, 96-100 (ISSN 0036-9546)
BENNETT, B. (1999) Review of Richard Dyer, White, (London: Routledge, 1998), Parallax, Vol 5.1, Mar. 1999 (ISSN 1353-4645)
Exhibition notes
BENNETT, B. (2001), '"Where the sea meets the moon-blanched land'": Darren Andrews' Pleasureland (2010)' - notes to accompany an exhibition by photographer Darren Andrews at the Dukes arts centre, Lancaster
Dictionary Entries
BENNETT, B. (2001) Entries on 'semic code', 'discourse', '180-degree system', 'indirect address' in PEARSON, R.E. and SIMPSON, P., eds., Critical Dictionary of Film and Television Theory, London and New York: Routledge (ISBN 0-415-16218-1)
CURRENT RESEARCH PROJECTS:
I am currently completing a critical study of the work of British director Michael Winterbottom for Wallflower Press/Columbia University Press, entitled, The Cinema of Michael Winterbottom: Borders, Intimacy and Terror.
I am working on a project on the comedy of terror, and have recently given a paper on the topic at a conference on TV comedy and gender at Northumbria University. Entitled, 'Gary's war on terror: television comedy and soldiers' stories', this was focused on an analysis of the UK TV series, Gary: Tank Commander.
I am also working on a paper on James Cameron and 3D cinema for the SCMS conference in Boston later this year where I will be speaking on a panel with Allison de Fren and Katarzyna Marciniak. This will explore questions of cinema technology and aesthetics and representational politics with particular reference to Cameron's four 3D films.
Potential Doctoral Proposals
I am interested in working with students in any area of cinema, film studies, screen studies or visual culture, but have particular interests in:
Hollywood cinema
British cinema
Transnational cinema
Early cinema
Film, politics and class
Visual culture and climate change
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