Sarah Casey

Lecturer: Art

Degree:MA Fine Art (Distinction), Lancaster University; BA(Hons)First Class History of Art - History and Philosophy of Science , University of Leeds
Associated research centres and groups:Art, Lancaster Institute for the Contemporary Arts, Languages of Form, Languages of Process
Tel:+44 (0) 1524 593172
Email:
Room:County Main, B169
Office hours:Monday 12.30-1.30pm

Details

Current Teaching

I currently teach sculpture and installation on the 1st, 2nd and 3rd year studio practice modules. In previous years I havealso supervised the studio practice of postgraduates on the LICA MA.

Research Interests

My research is practice based, undertaken primarily through studio work. An ongoing concern is in probing the complex cultural, social, material and visual value of delicacy to find ways to analyse, interpret and represent the fugitive or visually elusive. On a formal level, this practice is typically characterised by a cross-fertilization of spatial and sculptural languages, processes and materials with those of drawing.

I am currently investigating hybrid approaches to drawing, informed by collaborations with medics, archaeologists and conservators which explore commonalties between approaches in drawing and those in professions that must cope with the delicate or fugitive in their routine practice. I am particlarly interested in what the analytical tools of Art might share with invesigative procedure in these Sciences. This research is grounded in fieldwork/ site visits and has seen me working in collaboration with scientists and other professionals on sites from Hadrian's Wall to Kensington Palace. Most recently, I have been working with the underwear collections at Kensington Palace, where I have recently been offered the opportunity to exhibit in 2012. This recent work also explores themes of attraction, intimacy and revelation in relation to historical traditions in drawing and values in contermporary fine art drawing practice.

Explicit aims of this work are: identifying shared practice around mutual concerns with 'delicacy'; developing new studio methods; and generating forms of documentation that facilitate understanding of studio methodologies to establish a transferable model for cross-discipline knowledge exchange.

This emphasis on method and documentation reflects a further research interest in finding ways to discuss, understand and share knowledge of artists' studio methodologies.

Additional Information

Exhibitions and Publications

International Juried Exhibitions

2009 The Art of Research, Helsinki, Finland

2009 5th International Drawing Biennale, Melbourne, Australia, Victoria, Au.

Solo Exhibitions

2010 Glimpses, Roadside Attractions Gallery, Toronto, Canada.

2008 The Godiva Chronicles, Glassbox Gallery (part of the

A Thing About Machines Arts Festival 2008) Coventry

2008 Interstices, Rare Book Archives, Lancaster University Library

Selected other Group/Joint Exhibitions

2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough

2011 The Moment of Privacy has Passed, Usher Gallery, Lincoln

2010 Open Drawing, Centrespace Gallery , Bristol

2010 Paperworks 3, Bury Art Gallery and Museum, Bury

2010 Box of Desires, 2nd Zine for Recent Drawing exhibited C4RD, London

2010 Here Today Gone Tomorrow, Fringe Festival, Bath

2010 Middle of Nowhere, Departure Gallery, London

2010 Experimentality, Peter Scott Gallery, Lancaster

2010 Conversations with the Collection, Peter Scott Gallery, Lancaster

2009 100sqft, Boleyn Old Boys, London

2009 A Thing About Machines 2009, Herbert Gallery, Coventry

2009 Unfolding, Chapel Gallery, Ormskirk

2009 On CDOs and Double Clubs, August Art, London

2009 Triptych Papers, The Project Space, Norwich

2008 The Denouement, Peter Scott Gallery, Lancaster

2008 Otherwise Occupied, Site specific Installation, Lancaster

2006 Group Show, Bianco Nero, Stokesley, Cleveland

2004 25 RUPA Exhibition, Fukuoka Asian Art Museum, Fukuoka, Japan.

Publications

'Laying Practice on the Line' in The Art of Research : Processes, Results, Contributions , Conference 22-24 Nov 2009, Full paper http://tm.uiah.fi/tutpor/AOR2009/Casey_paper.pdf

'Drawing Delicate Connections' in Sliwiniska, B. ( ed.) Interrogations: Approaches to Interdisciplinarity in Art and Design Research, Loughbourgh University; DeMontfort University, 2009

Drawings included in 'Box of Desires', the 2ndZ4RD, Artist book, edition of 20, Centre for Recent Drawing, London, 2010.

Conference Papers & Workshops

2011 Recto Verso : Redeifining The Sketchbook, Lincoln University

2010 Drawing Research Network Conference 2010: Observation, Mapping, Dialogue, University of Brighton, UK

2010 Invisible Lines and Parallel Practice, European Association of Science Studies Conference, Trento University, Italy

2010 Experimentality, International Conference, Lancaster University

2009 The Art of Research, Taik, University of Art & Design, Helsinki, Finland

2009 Creative Practice, Creative Research, Lancaster University

2009 Interrogations, AHRC Conference, Loughborough University

2009 Doing Research in Art and Design, MIRIAD, Manchester

2009 Triptych Papers, Norwich University College of the Arts.

Awards and Funding

2011 Lancaster University Small Grant for ' Hidden Drawers' Project

2010 Faculty Conference Travel Bursary

2009 Public Award, 5th International Drawing Biennale, Melbourne Australia.

2009 Faculty Conference Travel Bursary

2009 Best Paper , Interrogations, AHRC Conference, Loughborough University

2009 Peel Studentship Award

2008 FASS Alumni Research Bursary

  • Lancaster Institute for the Contemporary Arts (LICA)
  • The LICA Building, Lancaster University, Lancaster LA1 4YW, UK