KeywordsComputer music, Computing, Computing in the Humanities, Digital humanities, Music, Music information retrieval, Music psychology and cognition, Music technology Research AreasContemporary Arts and Performance ![]() Dr Alan MarsdenSenior Lecturer
The LICA Building
Email: Email Hidden Affiliations Centre for Research into the Applications of Computers to Music PhD Supervision InterestsComputational musicology, music information retrieval, intelligent music software systems, formal music theory, Schenkerian analysis Office hoursCounty Main B140 Mondays 12-1pm Research InterestsI am interested in scientific and mathematical approaches to music, not because I think music can be reduced to formulae?I believe it cannot?but because we learn a lot in the attempt. Furthermore, with computer tools, a systematic approach allows us to do interesting musical things. Since July 2004, I have been editor of the leading journal in the area of scientific, systematic and technological research in music, the Journal of New Music Research. My principal research objective is to develop computational systems which allow us to reach a deeper understanding of how music presents an aural environment which captivates a listener's attention. To this end, I have developed software which implements some aspects of Schenkerian theory (a quasi-grammatical theory of music which reveals underlying hierarchical structures). The software allows a computer to automatically derive a structure (I do not say the structure) from extracts of music. Adjustment of the parameters and precise workings of the software allows us to investigate the factors which guide musicians' judgements when making an analysis of a piece of music. In other work, I have studied formal representation of time in music, and more recently pitch. I am interested more generally in music software systems which operate in a properly 'musical' manner, and have subsidiary interests in visualisation and educational software. Current TeachingAt undergraduate level, I teach harmony, Schenkerian analysis, and psychology of music. I supervise dissertations in systematic musicology. Web LinksPersonal website: http://www.lancs.ac.uk/staff/marsdena Selected PublicationsInterrogating melodic similarity: a definitive phenomenon or the product of interpretation?Marsden, A. 2012 In: Journal of New Music Research. 41, 4, p. 323-335. 13 p. Research output: Contribution to journal › Journal article Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposalsMarsden, A. 2012 In: Journal of Mathematics and Music. 6, 2, p. 145-153, 103-106, 125-128, 161-167. Research output: Contribution to journal › Journal article Schenkerian analysis by computer: a proof of conceptMarsden, A. 09/2010 In: Journal of New Music Research. 39, 3, p. 269-289. 21 p. Research output: Contribution to journal › Journal article 'What was the question?': music analysis and the computer.Marsden, A. 2009 In: Modern Methods for Musicology. Crawford, T. & Gibson, L. (eds.). Farnham: Ashgate, p. 137-147. 11 p. (Digital Research in the Arts and Humanities). Research output: Contribution in Book/Report/Proceedings › Chapter 2012Melodic Similarity: A Re-examination of the MIREX2005 DataMarsden, A. 23/07/2012 p. 653-659. 7 p. Research output: Contribution to conference › Conference paper Interrogating melodic similarity: a definitive phenomenon or the product of interpretation?Marsden, A. 2012 In: Journal of New Music Research. 41, 4, p. 323-335. 13 p. Research output: Contribution to journal › Journal article Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposalsMarsden, A. 2012 In: Journal of Mathematics and Music. 6, 2, p. 145-153, 103-106, 125-128, 161-167. Research output: Contribution to journal › Journal article 2011Software for Schenkerian AnalysisMarsden, A. 07/2011 0 p. Research output: Contribution to conference › Conference paper The Plurality of Melodic SimilarityMarsden, A. 07/2011 p. 5-10. 6 p. Research output: Contribution to conference › Conference paper 2010Schenkerian analysis by computer: a proof of conceptMarsden, A. 09/2010 In: Journal of New Music Research. 39, 3, p. 269-289. 21 p. Research output: Contribution to journal › Journal article Recognition of variations using automatic Schenkerian reduction.Marsden, A. 08/2010 6 p. Research output: Contribution to conference › Poster 2009Ambiguity and multiplicity in music representation.Marsden, A. 01/2009 3 p. Research output: Contribution to conference › Conference paper 'What was the question?': music analysis and the computer.Marsden, A. 2009 In: Modern Methods for Musicology. Crawford, T. & Gibson, L. (eds.). Farnham: Ashgate, p. 137-147. 11 p. (Digital Research in the Arts and Humanities). Research output: Contribution in Book/Report/Proceedings › Chapter 2007Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey.Marsden, A. A., Lindsay, A., MacKenzie, A. & Nock, H. 30/11/2007 In: Literary and Linguistic Computing. 22, 4, p. 469-488. 20 p. Research output: Contribution to journal › Journal article Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis.Marsden, A. A. 23/09/2007 p. 55-58. 4 p. Research output: Contribution to conference › Other Timing in music and temporal logic.Marsden, A. 2007 In: Journal of Mathematics and Music. 1, 3, p. 173-189. 17 p. Research output: Contribution to journal › Journal article 2005Generative Structural Representation of Tonal Music.Marsden, A. A. 27/06/2005 In: Journal of New Music Research. 34, 4, p. 409-428. 20 p. Research output: Contribution to journal › Journal article Towards Schenkerian analysis by computer: a reductional matrix.Marsden, A. 2005 In: Proceedings of international computer music conference (ICMC), Barcelona 2005. p. 247-250. 4 p. Research output: Contribution in Book/Report/Proceedings › Chapter 2004Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.Marsden, A. 20/10/2004 7 p. Research output: Contribution to conference › Conference paper Novagen: a combination of Eyesweb and an elaboration-network representation for the generation of melodies under gestural control.Marsden, A. 29/03/2004 6 p. Research output: Contribution to conference › Conference paper 2001Representing Melodic Patterns as Networks of Elaborations.Marsden, A. A. 1/02/2001 In: Computers and the Humanities. 35, 1, p. 37-54. 18 p. Research output: Contribution to journal › Journal article 2000Representing musical time: a temporal-logic approach.Marsden, A. A. 2000 Lisse: Swets & Zeitlinger Publishers. 252 p. (Studies on new music research; 4). Research output: Book/Report/Proceedings › Book Music, intelligence and artificiality.Marsden, A. A. 2000 In: Readings in music and artificial intelligence. Miranda, E. R. (ed.). Amsterdam: Harwood Academic, p. 15-28. 14 p. (Contemporary music studies; v. 20). Research output: Contribution in Book/Report/Proceedings › Chapter 1999Computers and the concept of tonalityMarsden, A. 1999 In: Information technology and scholarship: applications in the humanities and social sciences. Coppock, T. (ed.). Oxford: Oxford University Press for the British Academy, p. 33-52. 20 p. Research output: Contribution in Book/Report/Proceedings › Chapter |