KeywordsCultural theory, Dance, Darius Milhaud, Education, French, Historiography, History, Jazz, Maurice Ravel, Modernism, Modernity, Music, Music education, Music theory, Musicology, Popular culture, Theory, Twentieth-century culture Research AreasContemporary Arts and Performance  Professor Deborah MawerProfessor
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Email: Email Hidden AffiliationsPhD Supervision InterestsTwentieth-century French music (Ravel, Milhaud, Poulenc, Honegger, Recent/current doctoral students: Current TeachingPhD Supervisions on French Music, Cultural History and Analysis; Dissertation Groups: Music & Meaning; Jazz & Dance Band; Music and Education (MUSC340/1); Musicology modules on Paris in the 1920s and 1930s and Ravel's Ballets; Enterprise Unit: Arts Education & Therapy (LICA201); Critical Reflections (LICA200); Musicology Case Study: Stravinsky, Le Sacre du printemps (LICA100); Music Theory & Practice (LICA160); The Belle Epoque (1885-1914), Cultural History & Music (HIST100). Research InterestsBackground Deborah Mawer is Professor of Music, with an international research specialism in twentieth-century French music. Educated at King's College London and the Royal Academy of Music, her interest in the musicology and analysis of French music developed with a doctorate at King's (1991), supervised by Prof. Arnold Whittall. She lectured at Newcastle University (1992-5) and was then appointed to Lancaster. Across 1996-2000, she was Vice-President of the Society for Music Analysis. In 2001 she was promoted to Senior Lecturer, and in 2004-5 served as Faculty Associate Dean, later acting as Director of Studies for Music and Undergraduate Director for LICA. Deborah was appointed to a Readership in 2009 and a Personal Chair in 2010. She acts as reader for a wide range of US and UK journals and publishers, and as a referee for the European Research Council and for the Social Sciences and Humanities Research Council of Canada. She has broadcast on BBC Radio 3 and on Radio 4, with Robert Winston. She is currently External Examiner for the Master of Studies at the University of Oxford. Books Deborah's first monograph, Darius Milhaud: Modality& Structure in Music of the 1920s (1997), analyses Milhaud's music by developing techniques previously applied to Stravinsky. Partly funded by Music Analysis, it comprises a series of case studies, focusing on the jazz-inspired ballet La Création du monde. Her research interests expanded with editorship of The Cambridge Companion to Ravel (2000), collaborating with American and UK scholars. This much reviewed volume was funded by a British Academy Small Grant. A fascination with music-dance relations led to The Ballets of Maurice Ravel (2006), the first monograph dedicated to this repertoire, funded by AHRC Research Leave and two British Academy Small Grants. This widely reviewed book argues that Ravel's music must be situated in its interarts cultural context. It (re)discovers and discusses historical sources: scenarios, manuscripts, dance documentation, designs and reviews from the Bibliothèque nationale de France and Royal Opera House Archives. Creative and interpretative dimensions are embraced. Wide-ranging issues of ontology, autonomy and identity arise when a new production becomes a new work, or when one constituent impacts upon our perception of another. An edited Ravel Studies volume, on an interdisciplinary theme with distinguished international contributors (partly funded by Music & Letters), was published in 2010 by Cambridge University Press. Current Research Deborah is currently completing a fifth book entitled French Music in Conversation with Jazz: From Debussy to Brubeck, which examines classical-jazz interactions, viewed from both perspectives and within two historical timeframes. Her other French-related research focuses on Lancaster's Jack Hylton Archive as a rich resource for exploring popular music of the interwar years. She is a member of the Centre for Transcultural Writing and Research at Lancaster University. As an Editorial Board member of The British Journal of Music Education, and former Senior Academic Adviser for PALATINE (2006-8), with a background in instrumental teaching and further education, she has long-standing interests in music education and pedagogy. In 2008, Deborah was awarded a National Teaching Fellowship for her significant work in this domain, having previously won Lancaster University's Pilkington Teaching Prize (2000). Recent Research Funding Ravel, ballet and jazz, L'Observatoire interdisciplinaire de création et de recherche en musique (OICRM, 2011, 2012); Ravel Studies, Music & Letters (2009); National Teaching Fellowship (2008-11); Nostalgia & Innovation in Twentieth-Century French Music, Royal Musical Association (2008); British Academy small grants (2004-5, 2002); AHRC Research Leave (2003-4). Additional InformationSample of Reviews '[Ravel Studies:] ?a proliferation of high-quality scholarship in the wake of the indispensable Cambridge Companion to Ravel ... As with the earlier Cambridge Companion, Mawer proves a discriminating editor, this time of a collection focused on targeted aspects of Ravel's achievement. ... Deborah Mawer's wide-ranging essay, displaying an admirable balance between history and analysis, explores the tenuous relationship between Ravel's jazz-inspired works and authentic American examples. ... Mawer concludes that Ravel's ?French-accented and personalized? application of jazz element lacked the firsthand experience that characterized other composers (above all Milhaud) ... a welcome addition to the general literature on modern music ... Ravel's music and legacy endures, supported by divergent references in popular culture and [the] fresh scholarly insights this collection epitomizes so well.' (Notes, March 2012 [USA]). 'Editor Deborah Mawer's ?Crossing borders II: Ravel's theory and practice of jazz? discusses the many intriguing intricacies of how ? early, 1920s-era jazz was viewed by Ravel's contemporaries, and how it was consciously adapted for use within the classical forms. Mawer points out the subtleties of how Ravel was able to impart a French ?accent? to these American vernacular idioms. ? a compendium of nine scholarly chapters about Ravel ? Ravel Studies is an outstanding addition to the Ravel literature ? Highly recommended.' (Music Media Monthly, July 2011 [USA]). 'Subjecting popular music to academic techniques is dangerous territory, but Deborah Mawer, with her intensive knowledge of the field, provides convincing analyses of the two jazz-inspired piano concertos, and the violin and piano sonata in ?Ravel's theory and practice of jazz?, which well explains the composer's belief in its value for classical composers as embodying the modernist age, as well as relating to larger questions of national identity.' ([Ravel Studies] Musical Times, Autumn 2011). 'It is not often that we come across a scholarly study of ballet, let alone one devoted to Maurice Ravel's accomplishments. In her second [book] contribution to scholarship on Ravel in six years, Deborah Mawer manages to achieve both in a single volume. ... [It] is among the first English-language publications to undertake a thorough investigation of original sources ... [and] will surely attract the wide readership that she envisions.' (Music & Letters, Feb 2008). 'The Ballets of Maurice Ravel is a significant contribution by a leading scholar of twentieth-century French classical music ?; it is the first comprehensive investigation of the role of ballet within the composer's oeuvre; it confronts and helps to overcome the historical divide between scholarly discourses on music and dance ... Consequently, The Ballets is not only indispensable for those who study Ravel and twentieth-century classical ballet, but also edifying and accessible to a much broader readership ? this foundational book is certain to generate a new and lively discussion about Ravel's music and his ballets, and promises to exert a lasting influence upon future scholarship'. (Notes, June 2007 [USA]). 'And a feast of meticulous scholarship and unbiased evaluation her study proves to be, even to those who already know a good deal about Ravel's music. ? Ravel's sumptuous textural magic is ever-present in his ballets, and Mawer's study is the best way to discover all that it has to offer, and has already offered to choreographers the world over.' (Robert Orledge, Professor Emeritus, University of Liverpool, 2007). 'This solid, well-organized volume offers a balanced discussion of dance and music in the ballets of Ravel.' (ChoiceReviews.online, Jan 2007 [USA]). 'A powerful study of unusual scope' (Dancing Times, Nov 2006). 'the first [book] to concentrate on this important aspect [ballet] and to deal not only with the works themselves and their premieres, but also with ? the more striking subsequent productions ? Mawer has been diligent in seeking them out and often perspicacious in evaluating them' (Roger Nichols, BBC Music Magazine, Aug 2006). '"French Music in the 1930s" (Deborah Mawer) centres on concert (or rather "performance" life) in the French capital during that decade - not restricted to concert hall and salon, but taking in cabaret, Charles Trenet and Maurice Chevalier too. ? Mawer challenges established views about this decade in French music'. (Simon Wright, Brio, 43/2, 2006). 'This well-documented study offers important insight into the choreographic aspects of Ravel's art. Highly recommended.' (Arbie Orenstein, City University of New York, 2005). 'The Ballets of Maurice Ravel is a most interesting project and will undoubtedly be very valuable to scholars and students in both music and dance.' (Stephanie Jordan, Research Professor of Dance, Roehampton University, 2004). 'Deborah Mawer's 1991 doctoral thesis provided the basis for her innovative and authoritative analytical study in Darius Milhaud: Modality and Structure' (Frankfurter Zeitschrift für Musikwissenschaft, Jg. 7, 2004). 'Au total, ce Cambridge Companion n'offre pas seulement une vue d'ensemble sur la musique et l'esthétique de Ravel, mais aussi et surtout une réévaluation majeure de ce compositeur au seuil du nouveau millénaire.' (Dissonance, June 2001 [IRCAM, Paris]). 'As she [Mawer] writes, in a compelling account of how formalism and hermeneutics converge in moments of temporary aesthetic experience, Ravel had ? "a readiness to engage in risk and potential destruction".' (Tempo, April 2001). 'Mawer's excellent volume brings together essays by leading international Ravel scholars ? One expects only the highest quality scholarship from Cambridge, and this book certainly fulfills that promise.' (Choice, March 2001 [USA]). 'this is a welcome, timely and very carefully edited book' (Musical Times, Dec 2000). 'The Music of Prokofiev and Darius Milhaud: Modality and Structure in Music of the 1920s yield penetrating insights into the music of two composers of the early twentieth century. They deserve the attention of all serious musicians.' (Music Theory Spectrum, Fall 2000 [USA]). 'Those who enjoy a close involvement with the actual process of musical analysis ? will find much to admire in Deborah Mawer's Darius Milhaud ? [her] excellent treatment of Milhaud and jazz and subtle, thoroughly contextualised, discussion of the piano quintet version of La Création du monde. (Music Analysis, July 2000). 'Mawer has made a significant contribution not only to Milhaud scholarship but also to analytical literature on post-tonal music.' (Music & Letters, Nov 1998). In PressBook Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humanisteMawer, D. 02/2013 In: Music & Letters. 94, 1, 3 p. Research output: Contribution to journal › Book/Film/Article review A música Francesca reconfigurado no jazz modal de Bill Evans.Mawer, D. & Borém, F. (Translator) 07/2012 In: Revista Per Musi. 26 Research output: Contribution to journal › Journal article Jolivet’s early music theory and its practice in Cinq danses rituelles (1939).Mawer, D. 2013 In: André Jolivet: Music, Art and Literature . Rae, C. (ed.). Aldershot: Ashgate Research output: Contribution in Book/Report/Proceedings › Chapter 2012Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.Mawer, D. 1/09/2012 In: Danse et musique: dialogues en mouvement [refereed conference proceedings]. Huebner, S. (ed.). 1-2 ed. Montreal: Cahiers de la Société québécoise de recherche en musique, Vol. 13, p. 77-85. 9 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) Le jazz gallicisé et ravelisé: théorie pratique du 'blues'.Mawer, D. 02/2012 In: Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. Terrien, P. (ed.). Sampzon: Editions Delatour France, p. 215-225. 11 p. Research output: Contribution in Book/Report/Proceedings › Chapter 2011Book review: Sylvia Kahan, In Search of New ScalesMawer, D. 01/2011 In: Journal of Music Theory. 55, 1, p. 147-153. 7 p. Research output: Contribution to journal › Book/Film/Article review Book review: Barbara Lebrun, Protest Music in FranceMawer, D. 03/2011 In: French History. 25, 1, p. 130-132. 3 p. Research output: Contribution to journal › Book/Film/Article review French music reconfigured in the modal jazz of Bill Evans.Mawer, D. 2011 In: Jazz Chameleon: 9th Nordic Jazz Conference Proceedings. Mäkelä, J. (ed.). Helsinki: Finnish Jazz and Pop Archive, p. 77-89. 13 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) Maurice Ravel.Mawer, D. 2011 In: Oxford Bibliographies Online: Music. Gustafson, B. (ed.). New York: Oxford University Press, p. 130 annotated citations. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) 2010Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for JeuxMawer, D. 02/2010 In: Music & Letters. 91, 1, p. 123-126. 4 p. Research output: Contribution to journal › Book/Film/Article review Appendix: itinerary for Ravel’s tourMawer, D. 11/2010 In: Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 110-113. 4 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) Introduction: the growth of Ravel studiesMawer, D. 11/2010 In: Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-8. 8 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) Encountering La Valse: perspectives and pitfalls.Epstein, D. & Mawer, D. 11/2010 In: Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 138-164. 27 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) Crossing borders II: Ravel’s theory and practice of jazz.Mawer, D. 11/2010 In: Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 114-137. 24 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) Ravel Studies.Mawer, D. (ed.) 11/2010 Cambridge: Cambridge University Press. 220 p. Research output: Book/Report/Proceedings › Book 2009Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra.Mawer, D. 09/2009 In: Twentieth-Century Music. 6, 2, p. 155-182. 28 p. Research output: Contribution to journal › Journal article 2008Positioning Milhaud’s late chamber music: compositional 'full circle'?Mawer, D. 12/2008 In: The Musical Times. 149, 4, p. 45-60. 16 p. Research output: Contribution to journal › Journal article Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935).Mawer, D. 05/2008 In: French Music, Culture and National Identity, 1870-1939 . Kelly, B. L. (ed.). Rochester NY: University of Rochester Press, p. 172-193. 22 p. Research output: Contribution in Book/Report/Proceedings › Chapter (peer-reviewed) ‘Parisomania'? Jack Hylton and the French connection.Mawer, D. 11/2008 In: Journal of the Royal Musical Association. 133, 2, p. 270-317. 48 p. Research output: Contribution to journal › Journal article 2007Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940Mawer, D. 05/2007 In: Music & Letters. 88, 2, p. 367-370. 4 p. Research output: Contribution to journal › Book/Film/Article review Exploring complementation in Bartók’s Third Quartet.Mawer, D. 12/2007 In: Music Theory Online. 13, 4 Research output: Contribution to journal › Journal article Ricard Viñes i Maurice Ravel: una amistat inspiradora.Mawer, D. 05/2007 In: Ricardo Viñes: le pianiste des avant-gardes. Bernadó, M. (ed.). Barcelona & Lleida: Fundació Caixa Catalunya/Museu d’Art Jaume Morera, p. 132-137, 318-321, 427-430. 13 p. Research output: Contribution in Book/Report/Proceedings › Chapter 2006Ravel, Daphnis et Chloé: a fantasy tale of time and placeMawer, D. 2006 Hamburg: Deutsche Grammophon Research output: Other contribution Balanchine's La Valse: meanings and implications for Ravel studies.Mawer, D. H. 1/12/2006 In: The Opera Quarterly. 22, 1, p. 90-116. 27 p. Research output: Contribution to journal › Journal article 'Dancing on the edge of the volcano': French music in the 1930s.Mawer, D. H. 2006 In: French Music since Berlioz. Smith, R. L. & Potter, C. (eds.). Ashgate, p. 249-280. 32 p. Research output: Contribution in Book/Report/Proceedings › Chapter The Ballets of Maurice Ravel: Creation and Interpretation.Mawer, D. H. 2006 Ashgate. 314 p. Research output: Book/Report/Proceedings › Book 2004Book review: Keith Waters, Rhythmic and Contrapuntal Structures in the Music of Arthur HoneggerMawer, D. 02/2004 In: Music & Letters. 85, 1, p. 123-126. 4 p. Research output: Contribution to journal › Book/Film/Article review Book review: Roger Nichols, The Harlequin Years: Music in Paris 1917-1929Mawer, D. 02/2004 In: Music & Letters. 85, 1, p. 120-123. 4 p. Research output: Contribution to journal › Book/Film/Article review Book review: Barbara L. Kelly, Tradition and Style in the Works of Darius Milhaud 1912–1939Mawer, D. 11/2004 In: Music & Letters. 85, 4, p. 660-662. 3 p. Research output: Contribution to journal › Book/Film/Article review 2003Enlivening analysis through performance: practising set theory.Mawer, D. H. 1/11/2003 In: British Journal of Music Education. 20, 3, p. 257-276. 20 p. Research output: Contribution to journal › Journal article 2001A very French affair: 'Les Six' and the fluteMawer, D. 2001 London: Hyperion Research output: Other contribution 2000Appendix: early reception of Ravel’s music (1899–1939)Nichols, R. & Mawer, D. 2000 In: The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 251-266, 281-282. 18 p. (Cambridge companions to music). Research output: Contribution in Book/Report/Proceedings › Chapter Introduction: the many masks of RavelMawer, D. 2000 In: The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-4, 266. 5 p. (Cambridge companions to music). Research output: Contribution in Book/Report/Proceedings › Chapter The Cambridge Companion to Ravel.Mawer, D. 2000 Cambridge: Cambridge University Press. 294 p. (Cambridge companions to music). Research output: Book/Report/Proceedings › Book Ballet and the apotheosis of the dance.Mawer, D. 2000 In: The Cambridge companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 140-161. 22 p. (Cambridge companions to music). Research output: Contribution in Book/Report/Proceedings › Chapter Musical objects and machines.Mawer, D. 2000 In: The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 47-67. 21 p. (Cambridge companions to music). Research output: Contribution in Book/Report/Proceedings › Chapter 1999Bridging the divide: embedding voice-leading analysis in string pedagogy and performance.Mawer, D. 07/1999 In: British Journal of Music Education. 16, 2, p. 179-195. 17 p. Research output: Contribution to journal › Journal article 1997Book review: Howard Boatwright, Chromaticism: Theory and PracticeMawer, D. 03/1997 In: Music Analysis. 16, 1, p. 137-144. 8 p. Research output: Contribution to journal › Book/Film/Article review Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'Mawer, D. 06/1997 In: Musicus: Computer Applications in Music Education. 5, p. 19-29. 11 p. Research output: Contribution to journal › Journal article Darius Milhaud: Modality & Structure in Music of the 1920sMawer, D. 1997 Aldershot: Ashgate. 408 p. Research output: Book/Report/Proceedings › Book 1996Darius Milhaud: La Création du monde (Analytical Listening Guide)Mawer, D. & Pengelly, M. 1996 Research output: Non-textual form › Digital or Visual Products 1994Structural analysis in string teaching and performance: 'Voice-leading for Strings'Mawer, D. 07/1994 In: Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician : ISME Commission on the Education of the Professional Musician. Tampa, Florida: University of Florida, p. 57-71. 15 p. Research output: Contribution in Book/Report/Proceedings › Chapter 1992Composing out the principles of music analysis across the wider musical communityMawer, D. 04/1992 Society for Music Analysis Newsletter, 1, p. 8-12. 5 p. Research output: Contribution to specialist publication › Article
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