Keywordsarts and ecology, composition, contemporary fine art, creative industries, creative practice and technology, digital arts, environment, experimental music, experimental video, generative music, installation, interactive art, interdisciplinary, landscape, Max, music technology, net art, photography, programming for the arts, theatre music, video, visual intelligence, visualization Research AreasContemporary Arts and Performance  Dr Neil BoyntonSenior Lecturer
The LICA Building
Email: Email Hidden Affiliations Centre for the Advanced Study of Contemporary Performance Practice PhD Supervision InterestsI am interested in supervising doctoral students in the following areas: - Art and Health Current TeachingI teach composition at all levels and am course convenor for Multimedia Authoring, a second-year module. My contribution to the composition modules centres on the creation of soundtracks in a DAW environment, writing music to picture and programming for interactive and multimedia works. Some of my teaching in the first and second years of study focuses specifically on learning Logic Pro and MaxMSP Jitter. ProfileDr Neil Boynton is a researcher with a focus on video and music composition, placing particular emphasis on issues of landscape, environment and self-identity, and the relation between sound and images. His practice-based research encompasses fine art video-making, composing soundtracks for contemporary theatre and improvising live music with a laptop. He writes both about his own practice and the works and teachings of the Austrian composer Anton Webern. He has exhibited with galleries and museums both overseas and in the UK; the theatre works with his soundtracks have toured extensively in the UK and Europe?Kellerman was described by The Observer's critic as ?near as dammit a total work of art'. His research is intended for professionals in academe, health, education, and individuals and community groups. In Press2012The Sonification of Morecambe BayBoynton, N. 2012 Research output: Non-textual form › Digital or Visual Products 2011Landscapes in time: a psychotherapeutic interventionRose, E. & Boynton, N. 2011 In: International Journal of the Image. 1, n/a, p. 117-127. 11 p. Research output: Contribution to journal › Journal article 2010Review of Susanne Gärtner, Werkstatt-Spuren: Die Sonatine von Pierre Boulez. Eine Studie zu Lehrzeit und Frühwerk, Publikationen der Schweizerischen Musikforschenden Gesellschaft, series II, vol. 47, Bern, Peter Lang 2008Boynton, N. 01/2010 Tempo, 64, 251, p. 68-69. 2 p. Research output: Contribution to specialist publication › Book/Film/Article review 200920062005rush: video and sound projection, duration 7 minutes 30 seconds.Rose, E. E. & Boynton, N. 30/06/2005 Research output: Other contribution skyWriting, video and sound projection, duration 13 minutes 46 seconds.Rose, E. E. & Boynton, N. 1/06/2005 Research output: Other contribution White-out + skywriting: white-out: paintings and drawings by Emma Rose; Skywriting: a video and sound installation by Neil Boynton and Emma Rose.Boynton, N. A. & Rose, E. E. 2005 Wallsend: North Tyneside Arts. 16 p. Research output: Book/Report/Proceedings › Book "And two times two equals four in every climate": Die Formenlehre der Wiener Schule als internationales ProjektBoynton, N. A. 01/2005 In: Musiktheoretisches Denken und kultureller Kontext. Schmidt, D. (ed.). Schliengen: Edition Argus, p. 203-229. 27 p. Research output: Contribution in Book/Report/Proceedings › Chapter 2002Review of Sabine Meine, Ein Zwölftöner in Paris. Studien zu Biographie und Wirkung von René Leibowitz (1913–1972), Publikationen der Hochschule für Musik und Theater Hannover, Bd. 10, Wißner, Augsburg 2000Boynton, N. 11/2002 In: Music & Letters. 83, 4, p. 655-656. 2 p. Research output: Contribution to journal › Book/Film/Article review Anton Webern, Über musikalische Formen: Aus den Vortragsmitschriften von Ludwig Zenk, Siegfried Oehlgiesser, Rudolf Schopf und Erna ApostelBoynton, N. 1/04/2002 Mainz: Schott Research output: Other contribution Anton Webern, Variationen op. 27: Gegenüberstellung der Handexemplare von Else Cross und Peter StadlenBoynton, N. 2002 In: Die Lehre von der musikalischen Aufführung in der Wiener Schule: Verhandlungen des Internationalen Colloquiums Wien 1995. Grassl, M. & Kapp, R. (eds.). Vienna: Böhlau Verlag, p. 101-111. 11 p. (Wiener Veröffentlichungen zur Musikgeschichte). Research output: Contribution in Book/Report/Proceedings › Chapter 2000Kompositionsverfahren 1923-1926: Das Kammerkonzert und die Lyrische SuiteBoynton, N. 2000 In: Alban Berg und seine Zeit. Pople, A. (ed.). Laaber: Laaber-Verlag, p. 241-260. 20 p. (Grosse Komponisten und ihre Zeit). Research output: Contribution in Book/Report/Proceedings › Chapter 1998René Leibowitz: Schoenberg et son écoleBoynton, N. 1998 In: Settling New Scores: Music manuscripts from the Paul Sacher Foundation. Meyer, F. (ed.). Mainz: Schott, p. 232-234. 3 p. Research output: Contribution in Book/Report/Proceedings › Chapter Combinazione di forme musicali nelle Variazioni Op. 30 di WebernBoynton, N. 1998 In: Anton Webern: Un punto, un cosmo. Casadei Turroni Monti, M. (ed.). Lucca: Una cosa rara, p. 113-141. 29 p. Research output: Contribution in Book/Report/Proceedings › Chapter 1997Compositional Technique 1923–1926: The Chamber Concerto and the Lyric SuiteBoynton, N. 1997 In: The Cambridge Companion to Berg. Pople, A. (ed.). Cambridge: Cambridge University Press, p. 189–203, 286–292. 22 p. Research output: Contribution in Book/Report/Proceedings › Chapter 1996BibliographyBoynton, N. 1996 In: Webern Studies. Bailey, K. (ed.). Cambridge: Cambridge University Press, p. 298-362. 65 p. Research output: Contribution in Book/Report/Proceedings › Chapter Review of Walter Frisch, The Early Works of Arnold Schoenberg 1893–1908, Berkeley and Los Angeles: University of California Press 1993Boynton, N. 1996 In: Music Analysis. 15, 2-3, p. 373-381. 9 p. Research output: Contribution to journal › Book/Film/Article review 1995Translation of Rudolf Kolisch, ‘Schönberg als nachschaffender Künstler’Boynton, N. 1995 In: Tempo. 193, p. 34-35. 2 p. Research output: Contribution to journal › Journal article Formal Combination in Webern's Variations Op. 30Boynton, N. 1995 In: Music Analysis. 14, 2-3, p. 193-220. 28 p. Research output: Contribution to journal › Journal article 1993Review of Gareth Cox, Anton Weberns Studienzeit, Frankfurt a.M.: Lang 1992Boynton, N. 1993 In: Music & Letters. 74, 3, p. 462-463. 2 p. Research output: Contribution to journal › Journal article 1992Review of Karlheinz Essl, Das Synthese-Denken bei Anton Webern: Studien zur Musikauffassung des späten Webern unter besonderer Berücksichtigung seiner eigenen Analysen zu op. 28 und 30, Tutzing: Schneider 1991Boynton, N. 11/1992 In: Music & Letters. 73, p. 632-633. 2 p. Research output: Contribution to journal › Book/Film/Article review Alexander Goehr: A Checklist of his Writings and Broadcast TalksBoynton, N. 1992 In: Music Analysis. 11, 2-3, p. 201-208. 8 p. Research output: Contribution to journal › Journal article
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