DEPARTMENT OF MUSIC
BOYNTON, N.
Kompositionsverfahren 1923-1926:
das Kammerkonzert und dieLyrische Suite: in Pople, A. J. L. (ed.), Alban
Berg und seine Zeit, Laaber, Laaber, 2000, 241-60.
HERISSONE, R.
Music theory in
seventeenth-century England. pp. 316. Oxford, Oxford University Press,
2000.
MARSDEN, A. A.
Music, intelligence and artificiality: in Miranda, E. R. (ed.), Readings in music and artificial intelligence, Amsterdam, Harwood Academic Publishers, 2000, 15-28.
Representing musical time: a temporal-logic
approach. pp. 252. Lisse, Swets and Zeitlinger, 2000.
MAWER, D.
Musical objects and machines: in Mawer, D. (ed.), The Cambridge companion to Ravel, Cambridge, Cambridge University Press, 2000, 47-67,
Ballet and the apotheosis of the dance: in Mawer,
D. (ed.), The Cambridge companion to Ravel, Cambridge, Cambridge
University Press, 2000, 140-61.
MAWER, D. editor
The Cambridge companion to Ravel. pp. 294. Cambridge, Cambridge University Press, 2000.