DEPARTMENT OF MUSIC
BOYNTON, N.
Formal combination in Webern's variations - Op.30. Music Anal., 14(2-3), 1995, 193-220.
Schoenberg as a performing artist - introduction. Tempo, 193, 1995, 34-6.
BRAY, R. W.
Editing and performing Musica Speculativa: in Morehen, J. ed., English choral practice, 1400-1650, Cambridge University Press, 1995, 48-73.
Music and musicians in Tudor England: sources, composition theory and performance: in Bray, R. W. ed., The Blackwell history of music in Britain: 2: the sixteenth century, Oxford, Blackwell, 1995, 1-45.
Music and the Quadrivium in early Tudor England. Music & Lett., 76(1), 1995, 1-18.
Sacred music to Latin texts: in Bray, R. W. ed., The Blackwell history of music in Britain: 2: the sixteenth century, Oxford, Blackwell, 1995, 46-93.
BRAY, R. W. editor
The Blackwell history of music in Britain: 2: the sixteenth century. pp. 428. Oxford, Blackwell, 1995.
McCALDIN, D.
Haydn's Op.50 quartets: a new discovery. Television programme, BBC World Service TV, 1995.
Spirit of the age: Haydn after London. Radio talk, BBC Radio 3, 23 April 1995.
POPLE, A. J. L.
Last chance to see… Musical Times, 136, 1995, 304-5.
Messiaen's musical language: an introduction: in Hill, P. ed., The Messiaen companion, London, Faber and Faber, 1995, 15-50.
The spider and the fly. Musicus, 4, 1995, 3-6
POPLE, A. J. L. and PUFFETT, D.† editors
Music analysis, 14, 1995.
WHISTLECROFT, L. editor
Musicus: computer applications in music education, 4, 1995.
WOODLEY, R.
Strategies of irony in Prokofiev's F minor violin sonata: in Rink, J. ed., The practice of performance: studies in musical interpretation, Cambridge University Press, 1995, 170-93.