| CONTENTS |
| AUTHOR |
TITLE |
Pages |
| André Lascombes |
De la fonction théâtrale des personnages du Mal (Le Jeu de la Ville de N. et Le
Château de Persévérance) |
11–25 |
| John Brown |
The Devils in the York Doomsday |
26–41 |
| Peter Happé |
The Devil in the Interludes, 1550–1577 |
43–56 |
| Hans-Jurgen Diller |
The Torturers in the English mystery plays |
57–65 |
| Marco Piccat |
The figure of Antichrist in a 16th-century Italian mystery play: Lo Judicio de la Fine
del Mondo |
66–84 |
| Cecilia Pietropoli |
The characterisation of Evil in the Towneley Plays |
85–93 |
| Alexandra F. Johnston |
Evil in the Towneley Cycle |
94–103 |
| Hélène Charpentier |
Le mal, sa représentation et sa rétribution dans Le mystère du Viel Testament |
104–115 |
| Roberta Mullini |
Action and discourse in the Harrowing of Hell: the defeat of Evil |
116–128 |
| Geoff Lester |
Idle words: stereotyping by language in the English mystery plays |
129–139 |
| Rosemary E. Chaplan |
‘Farewell, jentyll Jaffrey’: speech-act theory and Mankind |
140–149 |
| Garrett P.J. Epp |
Passion, pomp, and parody: alliteration in the York Plays |
150–161 |
| Andrew Taylor |
‘To pley a pagyn of þe devyl’: turpiloquium and the scurrae in early drama |
162–174 |
| Henk Gras |
The Ludus de Decem Virginibus and the reception of represented Evil |
175–186 |
