| AUTHOR |
TITLE |
Volume |
Pages |
| G |
| Gibson, James M. |
Royal Visits and Civic Ceremony: A Research Opportunity
Find |
30 |
39–44 |
| Gomez Lara, Manuel, Geoff Lester, & Rafael Portillo |
Easter Processions in Puente Genil, Cordóba, Spain
Find |
9:2 |
93–124 |
| Gras, Henk |
The Ludus de Decem Virginibus and the Reception of Represented Evil
Find |
11 |
175–186 |
| Gras, Henk |
Theatre by the Book? Some Thoughts on Kipling's Fouquet
Find |
23 |
97–99 |
| Greenfield, Peter |
Using Dramatic Records: History, Theory, Southampton’s Musicians
Find |
17 |
76–95 |
| Grijp, Louis |
Boys and Female Impersonators in the Amsterdam Theatre of the Seventeenth Century
Find |
28 |
131–170 |
| Guinle, Francis |
Songs in Tudor Drama: Forms and Meaning
Find |
16 |
91–115 |
| H |
| Happé, Peter |
Acting the York Mystery Plays: A Consideration of Modes
Find |
10:2 |
112–116 |
| Happé, Peter |
Aspects of Dramatic Technique in Thomas Garter’s Susanna
Find |
8:1 |
61–63 |
| Happé, Peter |
The Devil in the Interludes, 1550–1577
Find |
11 |
42–56 |
| Happé, Peter |
Mystery Plays and the Modern Audience
Find |
2:2 |
98–100 |
| Happé, Peter |
Properties and Costumes in the Plays of John Bale
Find |
2:2 |
55–65 |
| Happé, Peter |
‘The restless mind that would never raging leave’: Jasper Heywood’s Thyestes
Find |
27 |
16–33 |
| Happé, Peter |
Spectacle in Bale and Heywood
Find |
16 |
51–65 |
| Happé, Peter, and others |
Thoughts on ‘Transvestism’ by Divers Hands
Find |
5:2 |
110–122 |
| Happé, Peter, and Elsa Strietman |
Three Dutch Rhetoricians Plays
Find |
26 |
all |
| Hardwick, Paul |
The York Masons’ Monkey-Business
Find |
21 |
79–86 |
| Harris, Max |
Composing Music for the Feast of Fools: the case of the Kyrie Asini.
Find |
25 |
71–83 |
| Harris, Max |
From Iraq to the English Morris: the early history of the skirted hobbyhorse.
Find |
25 |
71–83 |
| Heap, Carl |
On Performing Mankind
Find |
4:2 |
93–103 |
| Heap, Carl, and others |
Thoughts on ‘Transvestism’ by Divers Hands
Find |
5:2 |
110–122 |
| Hindley, Alan |
Staging the Old French Moralité: The Case of Les Enfants de Maintenant
Find |
16 |
77–90 |
| Horner, Olga |
Fulgens and Lucres: An Historical Perspective
Find |
15 |
49–86 |
| Horner, Olga |
The Law That Never Was – a Codicil: the case of The Just Vengeance
Find |
24 |
104–115 |
| Horner, Olga |
The Law That Never Was: A Review of Theatrical Censorship in Britain
Find |
23 |
34-96 |
| Horner, Olga |
The Parliament of Heaven: theological exposition or legal argument?
Find |
25 |
153–176 |
| Horner, Olga |
Susanna’s Double Life
Find |
8:2 |
76–102 |
| Horner, Olga |
‘Us Must Make Lies’: Witness, Evidence, and Proof in the York Resurrection
Find |
20 |
24–76 |
| Humphrey, Chris |
‘To Make a New King’: Seasonal Drama and Local Politics in Norwich, 1443
Find |
17 |
29–41 |
| Humphrey, Chris |
The World Upside-Down in Theory and as practice: A New Approach to the Study of Medieval
Misrule
Find
| 21 |
5–20 |
| I |
| Ingram, Reg |
The Coventry Pageant Waggon
Find |
2:1 |
3–14 |
| J |
| Johnston, Alexandra F. |
‘And how the state will beare with it, I knowe not’
Find |
30 |
3–25 |
| Johnston, Alexandra F. |
The Emerging Pattern of the Easter Play in England
Find |
20 |
3–23 |
| Johnston, Alexandra F. |
Evil in the Towneley Cycle
Find |
11 |
94–103 |
| Johnston, Alexandra F. |
Touring Players in the Early Years of Elizabeth: What were they Playing?
Find |
31 |
72–88 |
| Jones, Malcolm with Meg Twycross & Alan Fletcher |
‘Fart Pryke in Cule’: The Pictures
Find |
23 |
100–121 |
| Jones, Malcolm |
Proclaiming and Prognosticating: World Upside-Down Predicted — Official
Find |
21 |
87–102 |